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Thursday, June 29, 2017
Beauty and the Beast
Catherine Chandler witnessed her mother's murder and was almost killed
herself until someone—or something—saved her. Nine years later, now
working as a detective for the NYPD, a case leads her to Vincent Keller,
an ex-soldier believed to have been killed in action during military
service, who is actually alive. As Catherine comes to know him, she
finds out more about her mother's murder and about who—and what—Vincent
really is.
The CW officially began developing the series in September 2011. The project was described as "a modern-day romantic love story with a procedural twist," unlike the original series which was a romantic drama with mystery and suspense elements. The show is the first project that Mark Pedowitz developed when he joined the network
Jay Ryan, a veteran of New Zealand soaps and some small roles here, is the handsome doctor Vincent Keller. Dr. Keller witnessed the attacks of Sept. 11 and lost two brothers in the Twin Towers. So he enlists in the military, is quickly pegged as a perfect candidate for a secret project and -- voila -- he’s a super soldier. Faster, better, amazing, you name it. But too much adrenaline turns him into a very dangerous, um, beast. His handsome face roars and his lovely eyes turn bright and he roars a bit louder and his totally cut body picks things up and throws them real hard, causing damage. He doesn’t grow hair on his face, though, because The CW likes its boys mostly smooth. Anyway, he’s still a beast.
Catherine “Cat” Chandler (Smallville's Kristin Kreuk) was a hot teenager working as a bartender -- oh, just go with it, it’s The CW -- whose car battery died because she left the light-equipped vanity mirror on her sun visor down (no, I did not make that up). Anyway, her mom, a doctor, arrives to jump-start her car but gets killed by two thugs. Cat runs into the woods and, just before she’s shot by the same thugs, a beast leaps out and tears the thugs to ribbons, probably because they weren’t handsome enough to be on The CW.
To download the movie, please CLICK down HERE :
BATB S-02-01 PART 1
BATB S-02-01 PART 2
The CW officially began developing the series in September 2011. The project was described as "a modern-day romantic love story with a procedural twist," unlike the original series which was a romantic drama with mystery and suspense elements. The show is the first project that Mark Pedowitz developed when he joined the network
Jay Ryan, a veteran of New Zealand soaps and some small roles here, is the handsome doctor Vincent Keller. Dr. Keller witnessed the attacks of Sept. 11 and lost two brothers in the Twin Towers. So he enlists in the military, is quickly pegged as a perfect candidate for a secret project and -- voila -- he’s a super soldier. Faster, better, amazing, you name it. But too much adrenaline turns him into a very dangerous, um, beast. His handsome face roars and his lovely eyes turn bright and he roars a bit louder and his totally cut body picks things up and throws them real hard, causing damage. He doesn’t grow hair on his face, though, because The CW likes its boys mostly smooth. Anyway, he’s still a beast.
Catherine “Cat” Chandler (Smallville's Kristin Kreuk) was a hot teenager working as a bartender -- oh, just go with it, it’s The CW -- whose car battery died because she left the light-equipped vanity mirror on her sun visor down (no, I did not make that up). Anyway, her mom, a doctor, arrives to jump-start her car but gets killed by two thugs. Cat runs into the woods and, just before she’s shot by the same thugs, a beast leaps out and tears the thugs to ribbons, probably because they weren’t handsome enough to be on The CW.
To download the movie, please CLICK down HERE :
BATB S-02-01 PART 1
BATB S-02-01 PART 2
American Gods Series
This is the first bit of world-building accomplished by the American Gods
crew, who have an interesting task ahead of them. Eight episodes to
establish characters, create a universe, and somehow turn the dense
world of Neil Gaiman into something palatable for television viewers.
Fortunately, American Gods has a coin up its sleeve in the form of Shadow Moon (Ricky Whittle).
Moon, who only wants to get out of prison and be reunited with his
wife Laura (Emily Browning), finds himself cast into a world far beyond
his understanding after a series of tragic events. He falls under the
spell of a smooth-talking mystery man dubbed Mr. Wednesday (Ian
McShane), who recruits Shadow to be his driver, bodyguard, castellan,
and aide-de-camp. As it turns out, Wednesday might be up to something,
and a lot of people want to find out what that is, apparently by beating
Shadow to a pulp.
HERE TO DOWNLOAD SEASON 1 EPISODE 1
This is the first step into a big, weird world, and the viewing audience will be taking the steps right alongside Shadow as he learns just what he's gotten himself into. Ricky Whittle is spot on as Shadow; he's confused, he's careful, he's stoic, and he's violent when appropriate. Shadow's grief and loss is a seething thing, and it's easy enough for Wednesday, Mad Sweeny (Pablo Schreiber), and Technical Boy (Bruce Langley) to manipulate him for their own purposes, whether it's assistance, a fight, or information.
In many ways, American Gods feels like the synthesis of the career of Bryan Fuller. He co-wrote the pilot episode with Michael Green, he's the executive producer, and he's the guiding hand behind the adaptation coming to the screen. The show indulges in everything Fuller's name represents in the television world. The special effects are seamless and hallucinatory. The violence is over-the-top and bloody. The characters are compelling. The writing is strong out of the gate, barring a few moments that are deliberately cheesy.
The mythology is dense, particularly in the first episode, but with a strong grounding character, it's a manageable feat. Shadow is learning about the world around him; so Fuller and Green use that as a way to provide exposition without doing simple exposition dumps. Wednesday reveals himself in his interactions with Shadow (and the lady at the airport); Technical Boy reveals himself in flashy CGI and a constant stream of obnoxious vape clouds; he's every YouTube streaming superstar or reality television figure smashed into one obnoxious package, right down to the ridiculous haircut and red skinny jeans (the anonymous cronies with faces like blank Twitter eggs is a very nice touch). Ricky Whittle is a great lead, imposing physically but with an expressive face, but it's Ian McShane who steals the show upon entry. He's charming, sleazy, and a fast-talker who baffles with bullshit when he can't dazzle with intellect. Bilquis (Yetide Bakadi) also has quite an introduction.
The episode isn't perfect. There are some pacing issues, and the musical cues are very much on the nose, but there's an energy to the thing that propels it. The tonal shifts could also be hard for some viewers to handle, as it veers from comedy to drama to psychedelic horror in turns (Betty Gilpin's Audrey is a great example of how it can work from a dramatic standpoint). Still, director David Slade handles it confidently, putting all his experience working with Fuller on Hannibal to good use. The comedy bits land. The emotional moments have resonance. The world-building begins quickly and expediently, and it's handled with the style most viewers associate as part of the Fuller brand.
American Gods probably won't be a disappointment to the fans of Neil Gaiman's work. It's crafted with care and precision, and once the world around Shadow is more fleshed out, should find better footing on which to balance comedy, drama, and mystery. The updates, by and large, work, and the stuff taken from Gaiman's book should speak for itself. If the show can continue to mesh new material with book material, mix comedy and drama, and showcase the incredible performers signed on, it's going to be a huge success.
HERE TO DOWNLOAD SEASON 1 EPISODE 1
This is the first step into a big, weird world, and the viewing audience will be taking the steps right alongside Shadow as he learns just what he's gotten himself into. Ricky Whittle is spot on as Shadow; he's confused, he's careful, he's stoic, and he's violent when appropriate. Shadow's grief and loss is a seething thing, and it's easy enough for Wednesday, Mad Sweeny (Pablo Schreiber), and Technical Boy (Bruce Langley) to manipulate him for their own purposes, whether it's assistance, a fight, or information.
In many ways, American Gods feels like the synthesis of the career of Bryan Fuller. He co-wrote the pilot episode with Michael Green, he's the executive producer, and he's the guiding hand behind the adaptation coming to the screen. The show indulges in everything Fuller's name represents in the television world. The special effects are seamless and hallucinatory. The violence is over-the-top and bloody. The characters are compelling. The writing is strong out of the gate, barring a few moments that are deliberately cheesy.
The mythology is dense, particularly in the first episode, but with a strong grounding character, it's a manageable feat. Shadow is learning about the world around him; so Fuller and Green use that as a way to provide exposition without doing simple exposition dumps. Wednesday reveals himself in his interactions with Shadow (and the lady at the airport); Technical Boy reveals himself in flashy CGI and a constant stream of obnoxious vape clouds; he's every YouTube streaming superstar or reality television figure smashed into one obnoxious package, right down to the ridiculous haircut and red skinny jeans (the anonymous cronies with faces like blank Twitter eggs is a very nice touch). Ricky Whittle is a great lead, imposing physically but with an expressive face, but it's Ian McShane who steals the show upon entry. He's charming, sleazy, and a fast-talker who baffles with bullshit when he can't dazzle with intellect. Bilquis (Yetide Bakadi) also has quite an introduction.
The episode isn't perfect. There are some pacing issues, and the musical cues are very much on the nose, but there's an energy to the thing that propels it. The tonal shifts could also be hard for some viewers to handle, as it veers from comedy to drama to psychedelic horror in turns (Betty Gilpin's Audrey is a great example of how it can work from a dramatic standpoint). Still, director David Slade handles it confidently, putting all his experience working with Fuller on Hannibal to good use. The comedy bits land. The emotional moments have resonance. The world-building begins quickly and expediently, and it's handled with the style most viewers associate as part of the Fuller brand.
American Gods probably won't be a disappointment to the fans of Neil Gaiman's work. It's crafted with care and precision, and once the world around Shadow is more fleshed out, should find better footing on which to balance comedy, drama, and mystery. The updates, by and large, work, and the stuff taken from Gaiman's book should speak for itself. If the show can continue to mesh new material with book material, mix comedy and drama, and showcase the incredible performers signed on, it's going to be a huge success.
Monday, June 26, 2017
Tintin and the golden fleece
Captain Haddock (Georges Wilson) learns that an old shipmate, Paparanic, has died and left him a ship, the Golden Fleece. Tintin (Jean-Pierre Talbot), Snowy and the Captain travel to Istanbul only to find that it is an old cargo ship in a really dilapidated state. They meet the ships cook Clodion and Paparanic's pet parrot Romulus. While outside the ship, a businessman named Anton Karabine (Demetrios Myrat) claims to be an old friend of Paparanic and offers to buy the boat for "sentimental" reasons, but the huge amounts that he offers makes Tintin suspicious and on his advice Haddock turns the offer down.
During their stay in Istanbul, a stranger named Malik, offers to take Tintin and Haddock on a guided tour during which there are two attempts on their lives. This makes them all the more determined to find out what is going on. One of the clauses of Paparanic's will was that Haddock, on accepting the ship, should also fulfill his current obligations. The next day Haddock hires 3 crewman Angorapoulos, Attila and Yefima. They set off for Athens to deliver some carpets. During the journey Tintin catches Angorapoulos (Marcel Bozzuffi), searching through Paparanic's papers. He is subdued and locked in the hold but escapes.
In Athens, Tintin and Haddock go to the carpet seller Midas Papos (Darío Moreno) who turns out to be another of Paparanic's old shipmates. He is grief-stricken to learn of his friend's death and is about to make a comment about him when he is shot by a man from the window and the gun tossed into the room. Caught holding the gun, Tintin and Haddock are arrested but released thanks to the influence of their friends Thomson and Thompson and Papos, who has recovered in hospital.
An old newspaper article shows that in their youth Paparanic, Papos and Karabine were adventurers who were involved in a coup in the Latin American republic of Tetaragua. The article includes a photo of the three of them, plus two strangers, who formed a short-lived government.
Tintin later spots Angorapoulos in a barber's shop and follows him to the local offices of Karexport, which Tintin knows is run by Karabine. When Angorapoulos leaves by car Tintin and his friends follow him to a village out in the countryside where he and some accomplices kidnap a musician at a wedding. Tintin and the captain give chase on a motorbike. The crooks’ car is forced off the road when it almost collides with a coach and the villains flee on foot. The kidnap victim, Scoubidouvitch (Dimos Starenios), was the fourth man in the photo. He suffers from "memory loss" but reveals that a large amount of gold is involved and suggests that Tintin and Haddock consult a Father Alexandre (Charles Vanel) who lives in a mountain-top monastery.
Father Alexandre, the fifth man in the photo, is himself a former adventurer who has repented and now spends his days in prayer and meditation. He reveals that when forced out of government in Tetaragua, he and his four comrades took a large quantity of gold from the central bank. Paparanic took the lion's share of the loot while the rest was spread among the others. It's now clear that Karabine wants Paparanic's gold. Before Tintin and Haddock leave, Father Alexandre gives them a bottle of red wine which Paparanic gave him while visiting him last Christmas and told him to drink after his death. Since the priest now abstains from alcohol he entrusts it to his visitors. On the way down from the mountain, Haddock accidentally breaks the bottle, the label of which turns out to be that of a map, obviously showing the location of Paparanic's gold.
Tintin and Haddock return to the Golden Fleece where they have been joined by their friend Professor Cuthbert Calculus. Yefima drains the oil out of the engines in order to prevent the ship from leaving port and is discovered and flees the ship but Calculus has invented a special tablet called Super-Cuthbertoleum which, mixed with the remaining fuel, is more than enough to get the boat started and enables them to reach their destination, the island of Thassika.
The map includes an X just off the island's coast and, using his pendulum, Calculus locates the gold's location. Swimming underwater, Tintin discovers a chest filled with strange dark bars but which he guesses is the gold which has been painted over. No sooner have the members of the Golden Fleece got the chest out of the water that they are held at gunpoint by Karabine, Angorapoulos, Yefima and their men who got discreetly aboard. Tintin is shot at and falls back into the water while his friends are locked into a cabin and a fuse is set to blow the ship up with dynamite with Haddock, Calculus, Snowy, Romulus and Clodion on board.
Karabine and his men take the chest back to their helicopter only to come under attack by the police, including Thomson and Thompson led by Attila who is revealed to be an undercover police officer. Karabine gets aboard the helicopter which suddenly takes off. It turns out that Tintin has replaced the pilot! Karabine tries to force him to land, but Tintin disarms him. Beaten, the crook announces that no-one will get the gold, opens a hatch and lets the chest fall into the ocean.
Tintin's dog Snowy manages to put out the fuse that was about to blow up the ship. However the chest is in a deep part of the sea and beyond recovery. However, using his pendulum, Calculus insists that the gold is still right above them. Cutting away at the paint on the ship's railings Tintin realizes that they are in fact the camouflaged gold. The chest contained the real railings and was just a red herring.
Haddock returns the gold to Tetaragua. The main square in the capital is renamed Paparanic Square and Haddock receives Tetaragua's highest decoration, the Order of the Scarlet Cheetah. Back home at Marlinspike Hall, Haddock hires Clodion as his cook. And Calculus keeps Romulus as a pet and a test subject for his inventions of a flying birdcage. The film ends with Tintin, Snowy, Haddock, Calculus, Nestor, Clodion, Romulus and the postman from the beginning of the film, being treated to a visit by the local band to help them celebrate.
source from:wikipedia
you can also find the same article in https://freemoviesiteblog.wordpress.com/2017/06/29/tintin-and-the-golden-fleece/
The Flash
After a particle accelerator causes a freak storm, CSI Investigator Barry Allen is struck by lightning and falls into a coma. Months later he awakens with the power of super speed, granting him the ability to move through Central City like an unseen guardian angel.
Though initially excited by his new found powers, Barry is shocked to discover he is not the only "Metahuman" who was created in the wake of the accelerator explosion and not everyone is using their new powers for good. Barry partners with S.T.A.R. Labs and dedicates his life to protect the innocent.
For now, only a few close friends and associates know that Barry is literally the fastest man alive, but it won't be long before the world learns what Barry Allen has become...The Flash.
if you want to download, click down here..
THE FLASH SEASON 1 EPISODE 1
THE FLASH SEASON 1 EPISODE 2
THE FLASH SEASON 1 EPISODE 3
THE FLASH SEASON 1 EPISODE 4
THE FLASH SEASON 1 EPISODE 5
The Simpsons
Film kartun serial ini pernah tayang di TV Swasta Nasional di Indonesia.
Mungkin sebagian dari kita masih ingat film seri ini.
Sinopsis nya versi wikipedia kayak gini nih, Karena perbuatan Homer, Danau Springfield menjadi sangat tercemar dan kota Springfield dikurung dalam sebuah kubah kaca raksasa oleh Environmental Protection Agency (EPA). Saat danau tersebut diselidiki, penduduk menemukan sampah Homer yang dibuang ke danau. Seluruh penduduk Springfield kemudian mengejar Homer, yang terpaksa harus kabur bersama keluarganya.
Keluarga Simpson dapat kabur melalui bak pasir Maggie di belakang rumah yang ternyata tembus ke luar kubah. Setelah kabur dan menetap di Alaska, mereka menonton acara televisi yang mengiklankan Grand Canyon baru, di lokasi Springfield. Keluarga Simpson, kecuali Homer, memutuskan untuk kembali dan menyelamatkan Springfield. Marge dan anak-anaknya terpaksa meninggalkan Homer sendiri.
Homer yang merasa sangat menyesal kemudian tersadar dan menyusul keluarganya ke Springfield. Melewati berbagai kesulitan dan rintangan, akhirnya Springfield dapat diselamatkan dan keluarga Simpson kembali direkatkan.
Sebagai nostalgia, download filmnya disini ya.
Mungkin sebagian dari kita masih ingat film seri ini.
Keluarga Simpson dapat kabur melalui bak pasir Maggie di belakang rumah yang ternyata tembus ke luar kubah. Setelah kabur dan menetap di Alaska, mereka menonton acara televisi yang mengiklankan Grand Canyon baru, di lokasi Springfield. Keluarga Simpson, kecuali Homer, memutuskan untuk kembali dan menyelamatkan Springfield. Marge dan anak-anaknya terpaksa meninggalkan Homer sendiri.
Homer yang merasa sangat menyesal kemudian tersadar dan menyusul keluarganya ke Springfield. Melewati berbagai kesulitan dan rintangan, akhirnya Springfield dapat diselamatkan dan keluarga Simpson kembali direkatkan.
Sebagai nostalgia, download filmnya disini ya.
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